Brian Dilks is an Office Drone. He spends his days at OmniLink in comforting monotony: facilitating the movement of product around the country, faxing, copying, joking with his best friend, Clark, and harmlessly flirting with fellow cubicle-mate, Amy. But how well does anyone really know the people they work with? When Brian discovers an improbable secret about his best friend, everything in Brian’s world changes and his safe life of workplace detachment is no longer an option. Shocked out of his mind-numbing routine by this new discovery, Brian throws himself into a star-crossed romance with Amy––yet close encounters of the office kind, like sales or intergalactic war, is an uncertain business.

Drones begins in the Nevada desert, where new girl Sue Lawson joins airman Jack in a hot, windowless bunker from which they manoeuvre unmanned drones across the plains of Afghanistan. Their first day at work is awkward but polite, with Jack all too aware of Sue’s privileged status as daughter of a well-respected general. This, however, will be no ordinary mission: as they train their sights on an unarmed terrorist suspect, a power struggle erupts between the smart, sophisticated Sue and the dogged, blue-collar Jack.

A heart warming story of "destroy all humans." Uzi, a sardonic teen worker robot gone rogue befriends N, an excitable optimistic disassembly drone sent to destroy her, creating what we can assume is a very bad relationship for mankind.

The haunting spirit of a woman comes to the call of the participants in a séance.

SMart is a British CBBC television programme based on the subject of art, which began in 1994 and ended in 2009. The programme was recorded at BBC Television Centre in London, previously it had been recorded in Studio A at BBC Pebble Mill in Birmingham. The format is similar to the Tony Hart programmes Take Hart and Hartbeat. The show was revamped into an hour-long show in 2007; it was previously a 25 minute show. The 'older' 25 minute shows from 1994-2005 also featured Morph, originally from Take Hart. It has 199 episodes.

A self-proclaimed intellectual, forced to move in with her carefree sister and her sister's lovably eccentric friends.

Get Smart is an American comedy television series that satirizes the secret agent genre. Created by Mel Brooks with Buck Henry, the show stars Don Adams, Barbara Feldon, and Edward Platt. Henry said they created the show by request of Daniel Melnick, who was a partner, along with Leonard Stern and David Susskind, of the show's production company, Talent Associates, to capitalize on "the two biggest things in the entertainment world today"—James Bond and Inspector Clouseau. Brooks said: "It's an insane combination of James Bond and Mel Brooks comedy." This is the only Mel Brooks production to feature a laugh track.The success of the show eventually spawned the follow-up films The Nude Bomb and Get Smart, Again!, as well as a 1995 revival series and a 2008 film remake. In 2010, TV Guide ranked Get Smart's opening title sequence at No. 2 on its list of TV's Top 10 Credits Sequences, as selected by readers.

T.J. is a boy genius who gets bumped up from the fourth grade to high school. T.J. tries to adjust to his new life, but he shares some classes with his 14 year-old brother Marcus, the school jock, and his clueless and self-absorbed 16 year-old sister Yvette.

When members of the nefarious crime syndicate KAOS attack the U.S. spy agency Control and the identities of secret agents are compromised, the Chief has to promote hapless but eager analyst Maxwell Smart to field agent. He is partnered with veteran and capable Agent 99, the only spy whose cover remains intact. Can they work together to thwart the evil world-domination plans of KAOS and its crafty operative?

Kelly, Dan and Louis are students at a prestigious business school, destined to become tomorrow's elite. The industrious trio are determined to start putting their education into practise from the off in an attempt to make as much money as they can from their fellow students. Working on the theory that relationships between the sexes can be regulated by market principles, they begin to inflate the popularity of certain individuals artificially, by hiring beautiful and sexy off-campus women as their dates for exclusive and riotous college parties. However their perfect business model soon spirals out of control as their moneymaking scheme takes off in a big way across campus.