Brian Dilks is an Office Drone. He spends his days at OmniLink in comforting monotony: facilitating the movement of product around the country, faxing, copying, joking with his best friend, Clark, and harmlessly flirting with fellow cubicle-mate, Amy. But how well does anyone really know the people they work with? When Brian discovers an improbable secret about his best friend, everything in Brian’s world changes and his safe life of workplace detachment is no longer an option. Shocked out of his mind-numbing routine by this new discovery, Brian throws himself into a star-crossed romance with Amy––yet close encounters of the office kind, like sales or intergalactic war, is an uncertain business.

SMart is a British CBBC television programme based on the subject of art, which began in 1994 and ended in 2009. The programme was recorded at BBC Television Centre in London, previously it had been recorded in Studio A at BBC Pebble Mill in Birmingham. The format is similar to the Tony Hart programmes Take Hart and Hartbeat. The show was revamped into an hour-long show in 2007; it was previously a 25 minute show. The 'older' 25 minute shows from 1994-2005 also featured Morph, originally from Take Hart. It has 199 episodes.

T.J. is a boy genius who gets bumped up from the fourth grade to high school. T.J. tries to adjust to his new life, but he shares some classes with his 14 year-old brother Marcus, the school jock, and his clueless and self-absorbed 16 year-old sister Yvette.

When members of the nefarious crime syndicate KAOS attack the U.S. spy agency Control and the identities of secret agents are compromised, the Chief has to promote hapless but eager analyst Maxwell Smart to field agent. He is partnered with veteran and capable Agent 99, the only spy whose cover remains intact. Can they work together to thwart the evil world-domination plans of KAOS and its crafty operative?

A look into the lives of a lively group of unhoused young adults in the iconic beach town, who come together with humor and a bit of Robin Hood-style larceny, forging unbreakable bonds and redefining what it means to be a family.

You are cordially invited to join Brett Gelman and his Hollywood friends for a lively night of dining, tasty showbiz chit-chat, and psychological torture.

Join comedian Jang Do-yeon as she embarks on epic getaways filled with shopping sprees, fantastic food and lively conversations.

A morning talk show with A-list celebrity guests, top-notch performances and one-of-a-kind segments that are unrivaled on daytime television, plus spontaneous, hilarious and unpredictable talk.

The director’s grandparents, who have been together for over 60 years, recall (and re-edit) fragments of their life together. The film, originally intended as part of a video installation, captures a return to a nonlinear past, while also probing how textures and the materiality of images can be inscribed onto the cinema screen. 　　“A play of light, shadows, and pixels, Alma Buhagiar’s film comes from afar, from a cinema now forgotten where a superimposition, a portrait dissolving into the landscape, could be suspense, climax, could be a story in itself. Beyond its rarity, the charm of this PATCHWORK is mainly the unspoken seriousness of this game of filming with the grandparents. Of course, showing their love is certainly a pleasure, listening to their spells is a curiosity, and making them dance in each other’s arms is pure joy. Still, it is just as certain that the three of them are aware they are staging scenes for eternity, equally concerned with the past, present, and future. In fact, it may be that this is what any home movie is doing.” (Călin Boto)

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